10 |
章草 孟浩然 宴梅道士山房 林卧愁春盡,搴帷覽物華。 忽逢青鳥使,邀入赤松家。 丹竈初開火,仙桃正發花。 童顏若可駐,何惜醉流霞。
Clerical-Cursive Script (zhangcao) A Banquet at the House of the Taoist Priest MEI MENG Haoran (689-740 AD) In my hammock among the woods, grieving that spring must end, I draw the curtain to savor nature’s splendor. All of a sudden, a bluebird bade me come to his dwelling-place among the crimson pine. What a flame for his alchemical crucible— immortal peach-trees magical with blooming buds! If childish features could be kept forever and ever, why should we care about being drunken with the rosy-flowing wine. |
21.3 inches x 64.3 inches |
|
※ ※ ※ 章草:漢初,為減省或連綴隸書的筆畫,開始出現了隸書的草書,由於漢章帝(57-88 AD)喜好草書,因此被稱為章草,特點是字字獨立。 The Clerical-Cursive Script (zhangcao) functions primarily as a kind of shorthand script or calligraphic style. Developed during the Han Dynasty (206 BC-220 AD) as a cursory way to write the popular but inchoate Clerical Script, the Cursive Script was favored by Emperor Zhang (57-88 AD) and commonly called zhangcao.
孟浩然(689-740 AD):唐代山水田園詩派代表作家之一。年青的時候在家鄉鹿門山(今湖北襄陽)隱居讀書,到了四十多歲,纔到京城長安應考進士,想求得一官半職,大展政治抱負,可惜願望未能實現,但和王維(692-761 AD)、李白(701-762 AD)、王昌齡(698-765 AD)等結成了詩友。詩多以景物風光及山水田園生活為題材。 MENG Haoran (689-740 AD), except during a brief pursuit of an official career in his forties, mainly lived in and wrote about the Lu-meng Mounts (east of Xiangyang, Hubei Province) where he was born and raised. MENG was a major influence on contemporary and subsequent poets of the Tang era (618-907 AD) because of his focus on the theme of nature in his poetry.
白話譯文 高臥林下,正愁思春光將盡,掀開帘幕,欣賞著良辰美景。 忽然遇見神仙(指梅道士)的信差,原來是赤松子邀請我訪問他家。 煉丹的金爐灶剛剛升火,院中仙桃也正好滿樹開花。 如果仙酒真可以保住童顏,就不要吝惜流霞酒,且暢飲一番。 |
view complete exhibition online |